For years, Apple has been selling the role of ‘visionary’: not megapixels, processors, and cameras, but the confidence that ‘I am one of those who make new things easier.’ Harley-Davidson is first and foremost about rebellion, not volume and cubic centimetres.
The product becomes a marker of ‘us and them’: style, profession, values.
The working formula here is simple: trait → symbol → social marker.
The language is changing not only in advertising, but also in product cards and descriptions. Instead of technical specifications such as ‘lightweight, 256GB,’ the potential buyer is described in detail: ‘A laptop for those who work on the go.’ Thus, the user becomes the prototype and the main character. The product is not at the centre of the story, so it is important to include mini-portraits (‘architect, 32, ponders ideas on his way home’) and UGC with short manifestos (‘I am the one who...’). The clearer the role, the more valuable the product and the less controversy about the price.
Identity explains who we are. But people need to see where they are going.